A morning with David Whyte
First, two confessions. I’d never read, or listened to any of David Whyte’s work. And I didn’t know what genius loci meant. Nor did I know to what extent both might influence me.
After yesterday morning, neither is no longer true.
I was impressed with the rhythm of David’s performance, the strength, and loudness, of the silences, and the way he would regale his audience with story, to slip seamlessly into poetry, and whammo – reveal a line that connects the story and asks a question that “is an invitation to the imagination that the strategic mind doesn’t know what to do with.”
Repetition. Repetition, I now know, is not a part of his written work, but is certainly a huge part of his performance. And it’s very effective.
Gesture. David Whyte gestures a lot. He points and waves and pokes and prods and underlines his words with gestures.
Silence. The silences would begin as short, two-beat silences, and gradually increase to ten times as long. Powerful. And loud!
And then there’s his use of language. Not surprisingly, I’ve been a fan, a student, a user, and sometimes, an abuser, of language. Not surprisingly, a poet uses language well. The work that Johnnie and I are immersed in right now is also imbued with language – trying to find just the right word, getting rid of jargon and meaningless adjectives – trying to use language to explain the unexplainable.
Here’s some of the memorable lines from my morning with David Whyte:
“The ground makes no sense without an horizon. An horizon may also be internal.”
“Poetry is language against which you have no defences.”
“Be impatient with easy explanations.”
“When you show up you can be seen, you can be found, you can be touched. And when you can be seen, you can be hurt. So we create abstractions to avoid being seen.”
“I don’t have to have all the conversation at once. Just begin.”
“The person you are just about to become is a stranger to you.” I’ve just finished reading Cathy Salit’s book Performance Breakthrough. She writes about her experiences of using performance and skills from theatre directing to help people discover parts of themselves they never knew could, or would, ever exist. “The person you are about to become is a stranger to you.”
“Stay in this place until the current of the story is strong enough to float you out.” Johnnie hosts Unhurried Conversations, an approach that explores a different way of being in conversation with others. “Stay in this place until the current of the story is strong enough to float you out.”
“What would it be like to be the ancestor of our own future happiness?” Indeed.
And genius loci? Genius loci is the spirit of a place – the type of conversation held there is shaped by place. I’ve always known this. Even before I knew it.